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1983 studio album by Bob Dylan

Infidels
A photograph of Dylan's face, wearing sunglasses and a short beard
Studio anthology past

Bob Dylan
Released October 27, 1983 (1983-10-27)
Recorded April–May 1983
Studio The Power Station, New York
Genre
  • Heartland rock
  • folk rock[one]
  • reggae[ane]
Length 41:39
Label Columbia
Producer Bob Dylan, Marking Knopfler
Bob Dylan chronology
Shot of Love
(1981) 		Infidels
(1983) 		Real Live
(1984)
Singles from Infidels
  1. "Union Sundown[2]"
    Released: Oct 1983
  2. "Sweetheart Similar Y'all[3]"
    Released: Dec 1983
  3. "Jokerman[four]"
    Released: December 1983 (Great britain), Apr 1984 (US)
  4. "I and I[5]"
    Released: 1983

Infidels is the 22nd studio album by American singer-songwriter Bob Dylan, released on October 27, 1983 past Columbia Records.

Produced by Mark Knopfler and Dylan himself, Infidels is seen as his return to secular music, following a conversion to Christianity, 3 evangelical records and a subsequent return to a less religious lifestyle. Though he has never entirely abandoned religious imagery, Infidels gained much attending for its focus on more personal themes of dearest and loss, in addition to commentary on the environment and geopolitics. Christopher Connelly of Rolling Stone chosen those gospel albums but prior to Infidels "lifeless", and saw Infidels as making Bob Dylan's career viable again. According to Connelly, at the time of its release, Infidels was considered to exist Dylan's best poetic and melodic piece of work since Claret on the Tracks.[6]

The critical reaction was the strongest for Dylan in years, almost universally hailed for its songwriting and performances. The album also fared well commercially, reaching No. 20 in the US and going golden, and No. ix in the United kingdom of great britain and northern ireland. Fans and critics were disappointed that several songs were inexplicably cut from the album just prior to mastering—primarily "Blind Willie McTell", considered a career highlight by many critics, and not officially released until information technology appeared on The Bootleg Series Volume III eight years later. The anthology was recorded and mixed entirely on digital recording equipment.

Recording sessions [edit]

Infidels was produced by Mark Knopfler, best known as the frontman of the band Dire Straits, and who had previously played guitar on Dylan'due south Deadening Railroad train Coming. Dylan initially wanted to produce the album himself, just feeling that engineering science had passed him past, he approached a number of contemporary artists who were more at dwelling house in a modern recording studio. David Bowie, Frank Zappa and Elvis Costello were all approached earlier Dylan hired Knopfler.[7]

Knopfler later admitted information technology was difficult to produce Dylan. "You lot see people working in different ways, and information technology's good for y'all. You have to learn to accommodate to the way different people work. Yes, it was foreign at times with Bob. Ane of the bang-up parts about production is that it demonstrates to y'all that y'all have to be flexible. Each song has its ain clandestine that's different from another vocal, and each has its ain life. Sometimes it has to exist teased out, whereas other times information technology might come fast. There are no laws nearly songwriting or producing. It depends on what you're doing, not just who you're doing. You accept to be sensitive and flexible, and it's fun. I'd say I was more disciplined. But I think Bob is much more disciplined equally a writer of lyrics, as a poet. He's an absolute genius. As a singer—absolute genius. But musically, I recollect it's a lot more basic. The music only tends to be a vehicle for that poetry."

In one case Knopfler was aboard, the 2 speedily assembled a team of accomplished musicians. Knopfler'southward own guitar playing was paired with that of Mick Taylor, a former lead guitarist of the Rolling Stones. Having been introduced to Taylor the previous summertime, Dylan had developed a friendship with him that resulted in the guitarist hearing the Infidels material first during the months leading up to the April sessions.[viii] In add-on, the sessions benefited as well from Taylor'due south ability every bit a slide guitarist.

Knopfler said about the instrument he plays on Infidels: "I nonetheless haven't got a apartment-top wooden audio-visual, considering I've never found one that was as adept every bit the two best flat tops I e'er played. 1 … was a hand-built Greco that Rudy Pensa of Rudy's Music Stop lent me. I used … the Greco on Infidels."

Knopfler suggested Alan Clark for keyboards too as engineer Neil Dorfsman, both of whom were hired. According to Knopfler, it was Dylan'southward idea to recruit Robbie Shakespeare and Sly Dunbar as the rhythm section. All-time known as Sly & Robbie, Shakespeare and Dunbar were famed reggae producers as well as recording artists signed to Island Records.

"Bob's musical power is express, in terms of being able to play a guitar or a pianoforte," said Knopfler. "It'due south rudimentary, but it doesn't affect his diverseness, his sense of melody, his singing. It's all there. In fact, some of the things he plays on piano while he's singing are lovely, even though they're rudimentary. That all demonstrates the fact that yous don't have to exist a great technician. It's the aforementioned one-time story: If something is played with soul, that's what'south important."

Songs [edit]

Beginning with Infidels, Dylan ceased to preach a specific organized religion, revealing little about his personal religious beliefs in his lyrics. In 1997, after recovering from a serious eye condition, Dylan said in an interview for Newsweek, "Hither'south the thing with me and the religious thing. This is the apartment-out truth: I find the religiosity and philosophy in the music. I don't notice information technology anywhere else … I don't attach to rabbis, preachers, evangelists, all of that. I've learned more than from the songs than I've learned from whatever of this kind of entity."[9]

Though Infidels is oft cited as a return to secular piece of work (following a trio of albums heavily influenced by born-once again Christianity), many of the songs recorded during the Infidels sessions retain Dylan's penchant for biblical references and religious imagery.[x] An example of this is the opening track, "Jokerman". Along with biblical references, the song'southward lyrics reference populists who are overly concerned with the superficial ("Michelangelo indeed could've carved out your features") and more about action than thinking through the complexities ("fools rush in where angels fearfulness to tread"). A number of critics accept called Jokerman a sly political protest, addressed to an antichrist-like[eleven] figure, a "manipulator of crowds … a dream twister".

The second track, "Sweetheart Like Y'all", is sung to a fictitious woman. Oliver Trager's volume Keys to the Rain: The Definitive Bob Dylan Encyclopedia mentions that some have criticized this song equally sexist. Indeed, music critic Tim Riley makes that accusation in his book Difficult Rain: A Dylan Commentary, singling out lyrics like "a woman like yous should exist at home/That'southward where you belong/Taking care of somebody nice/Who don't know how to practice you lot wrong." Even so, Trager also cites other interpretations that dispute this claim.[12] Some have argued that "Sweetheart Like Yous" is beingness sung to the Christian church building ("what'south a sweetheart like you doing in a dump like this?"), claiming that Dylan is mourning the church's deviation from scriptural truth.[ commendation needed ] The song was later covered by Rod Stewart on his 1995 album A Spanner in the Works and translated and sung by the Italian songwriter Francesco De Gregori in his 2015 album De Gregori sings Bob Dylan.

The song "Neighborhood Bully" is a song from the betoken of view of someone using sarcasm to defend Israel'south correct to exist; the championship bemoans Israel'southward and the Jewish people'south historic handling in the popular press. Events in the history of the State of israel are referenced, such as the Half-dozen-Day War and Operation Opera, Israel'southward bombing of the Osirak nuclear reactor nigh Baghdad on June vii, 1981, or previous bomb making sites bombed by Israeli soldiers. Events in the history of the Israelites as a whole are mentioned, such every bit being enslaved past Rome (commemorated on the Arch of Titus, and extensively in the Jewish Talmud[13]), Egypt (remembered on the Jewish holiday Passover, and in the Book of Exodus) and Babylon (commemorated on the Jewish holiday Tisha B'Av and the Volume of Lamentations). Events in modern Jewish secular history are noted as well, such as the ridiculing of holy books past anti-semitic groups like the Nazis and the Soviet Spousal relationship, and Jews' celebrated role in the advocacy of medicine ("took sickness and disease and turned them into health"). Celebrated restrictions on Jewish commerce are mentioned besides.[xiv] In 1983, Dylan visited Israel again, simply for the beginning time allowed himself to be photographed there, including a shot at Jerusalem'due south open-air synagogue wearing a yarmulkah and Jewish phylacteries, and tallith. Dylan fabricated some comments on the vocal in a 1984 interview with Rolling Rock.[15] In 2001, the Jerusalem Mail service described the song as "a favorite amongst Dylan-loving residents of the territories".[sixteen] Israeli vocalist Ariel Zilber covered "Neighborhood Bully" in 2005 in a version translated to Hebrew.[17]

A few critics similar Robert Christgau and Bill Wyman claimed that Infidels betrayed a strong, foreign dislike for space travel, and that information technology can exist heard on the first few lines of "License to Kill". ("Man has invented his doom/First step was touching the moon.") A harsh indictment accusing mankind of imperialism and a predilection for violence, the song deals specifically with humanity'southward relationship to the surround, either on a political scale or a scientific ane, outset with the outset line: "Man thinks because he rules the Earth/He tin practice with it equally he please." A skeptical opinion toward the American space program was shared amidst evangelicals of Dylan's generation.[xviii]

"Human being of Peace" is the fifth track, and deals with the concept that Satan, or evil more often than not, may disguise himself to mislead humanity.

"Spousal relationship Sundown" is a political protestation song against imported consumer goods and offshoring. In the song, Dylan examines the subject field from several different angles, discussing the greed and power of unions and corporations ("Y'all know capitalism is above the law/It don't count unless it sells/When it costs too much to build it at home you only build it cheaper someplace else...Democracy don't rule this world/Y'all better get that through your caput/This globe is ruled by violence/Though I estimate that's better left unsaid"), the hypocrisy of Americans who complain about the lack of American jobs while not paying more for American-made products ("Lots of people complainin' that there is no work/I say, 'Why you say that for? When nothin' you got is U.S.-made? They don't make nothin' here no more"), the collaboration of the unions themselves ("The unions are big business organisation, friend/And they're goin' out like a dinosaur"), and the desperate conditions of the strange workers who brand the goods ("All the piece of furniture, it says "Made in Brazil"/Where a woman, she slaved for sure/Bringin' home thirty cents a 24-hour interval to a family of twelve/You know, that's a lot of money to her...And a man's going to do what he has to do/When he'south got a hungry rima oris to feed").

"I and I", according to author/critic Tim Riley, "updates the Dylan mythos. Even though information technology substitutes cocky-pity for the [pessimism found throughout Infidels], y'all can't ignore it as a Dylan spyglass: 'Someone else is speakin' with my oral cavity, merely I'm listening just to my eye/I've made shoes for anybody, even you, while I still get barefoot.'"[19] Riley sees the song as an exploration of the distance betwixt Dylan'southward "inner identity and the public face he wears".[12]

Infidels' closer, "Don't Fall Apart on Me Tonight", stands out on the album every bit a pure dear song. On past albums like John Wesley Harding and Nashville Skyline, Dylan closed with love songs sung to the narrator'due south partner, and that tradition is continued with "Don't Autumn Autonomously On Me Tonight", with a chorus that asks "Don't fall apart on me this night/I just don't think that I could handle it/Don't fall apart on me tonight/Yesterday'southward just a memory/Tomorrow is never what information technology'southward supposed to be/And I need you lot, yeah, you lot tonight."

Final sequencing and mixing [edit]

While Dylan was known to be prolific and had numerous outtakes for nigh of his albums, Infidels in particular garnered considerable controversy over the years regarding its final selection of songs. By June 1983, Dylan and Knopfler had gear up a preliminary sequence of nine songs, including two songs that were ultimately omitted: "Human foot of Pride" and "Blind Willie McTell". Other notable outtakes like "Someone's Got a Concord of My Heart" (later re-written and re-recorded for Empire Burlesque as "Tight Connection to My Heart (Has Anybody Seen My Love)") were recorded during these sessions, merely only "Pes of Pride" and "Blind Willie McTell" received serious consideration for possible inclusion.

"Blind Willie McTell" is perhaps the near heatedly discussed outtake in Dylan'southward catalog. "On the surface, 'Blind Willie McTell' is most the landscape of the blues," writes Tim Riley, "and the figures Dylan pays respects to on his 1962 debut. But information technology's also nigh the mural of pop, and how an aging persona like Dylan might feel as he casts his experienced gaze over the road he's walked. E'er skeptical about the quality of his ain phonation, he didn't release 'Bullheaded Willie McTell' at first considering he didn't feel his tribute lived up to its sources. The irony here is that his own insecurity most living up to his imagined dejection ideal becomes a field of study in itself. 'Nobody sings the blues similar Blind Willie McTell' becomes a way of saying how Dylan feels displaced not merely by the industry … but by the music he calls habitation." Clinton Heylin gives "Bullheaded Willie McTell" a more than ambitious interpretation, describing it equally "the world's eulogy, sung by an old bluesman recast as St. John the Divine".

Both "Foot of Pride" and "Bullheaded Willie McTell" were dropped from consideration soon subsequently Mark Knopfler ended his involvement with the album. In afterwards years, Knopfler claimed that "Infidels would take been a better record if I had mixed the thing, just I had to go on tour in Germany, then Bob had a weird thing with CBS, where he had to evangelize records to them at a certain time and I was away in Europe … Some of [Infidels] is like listening to roughs. Maybe Bob thought I'd rushed things because I was in a hurry to go out, but I offered to finish it later our bout. Instead, he got the engineer to practice the terminal mix."[xx]

Dylan spent roughly a calendar month on remixing and overdubbing, belongings a number of sessions in June re-recording vocal tracks using newly rewritten lyrics. During this time, he decided to cast aside "Foot of Pride" and "Bullheaded Willie McTell", replacing them with "Union Sundown".

Outtakes [edit]

As with near Dylan albums, outtakes and rough mixes from Infidels were eventually bootlegged. This is a partial list of known outtakes. All titles in parentheses are "working titles".

Besides, alternate versions of every vocal on Infidels are in circulation as well. None of these alternate takes has been commercially released.

  • "Jokerman"
  • "Sweetheart Like You" (alternating version 1)
  • "Sweetheart Similar You" (alternate version 2)
  • "Sweetheart Like You" (Several rehearsals)
  • "Neighborhood Bully" (alternate version)
  • "License To Kill" (alternate version)
  • "Homo Of Peace" (alternate version)
  • "Union Sundown" (alternating version 1)
  • "Matrimony Sundown" (alternate version 2)
  • "I And I" (alternating version)
  • "Don't Fall Apart On Me Tonight" (alternate version)

Reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [21]
Christgau's Record Guide B-[22]
The Encyclopedia of Popular Music [23]
Amusement Weekly A-[24]
MusicHound Rock 3/v[25]
Paste (Positive)[26]
Rolling Stone [6]
Tom Hull B–[27]

While Infidels was better received than its predecessor, Shot of Love, Graham Lock of New Musical Express still referred to Dylan every bit "culturally a spent force … a confused man trying to rekindle sometime fires."[28] Rolling Stone and The Hamlet Voice critic Robert Christgau was non impressed either, writing that Dylan had "turned into a mean crackpot".[29] Greil Marcus dismissed information technology many years later as another "bad [album] that fabricated no sense, didn't hang together, had no signal, and did non need to be".[30]

Simply even some of the skeptics found some merit in Infidels. In the same review, Christgau wrote, "All the wonted care Dylan has put into this album shows." Indeed, critics were unanimous in praising the overall sound, "one case where the streamlined product doesn't seem to piece of work against the rugged authority he can even so command as a singer," wrote Tim Riley. Music critic Bill Wyman conceded that "the songs are mature and complex" even though "melodically they are similar sounding and the affair as a whole still has echoes of his crackpot Christian days."[31]

Infidels would identify tenth on The Hamlet Phonation's Pazz & Jop Critics Poll for 1983, Dylan's highest placement since 1975 when The Basement Tapes placed #one and Blood on the Tracks placed #4. Years later, when outtakes like "Someone's Got a Agree of My Heart", "Blind Willie McTell" and "Foot of Pride" began to circulate, the album'southward stature would in some ways grow, condign a missed opportunity at a potential masterpiece to some critics like Rob Bowman and Clinton Heylin.

Without a tour in 1983, Infidels nonetheless generated modest sales, selling consistently through the Christmas shopping season. CBS even produced a music video for "Sweetheart Similar You", Dylan's first in the MTV era. Steve Ripley from Dylan's Shot of Dearest band was one of the guitarists in the video. The female person guitar role player featured who mimed Mick Taylor'southward guitar solo is Carla Olson. This appearance led to her recording a live album with Taylor as well as numerous studio sessions with him. And Dylan gave her the unreleased vocal "Make clean Cut Kid" for her debut album Midnight Mission (A&G Records). "Sweetheart Like You" was followed by a 2nd video for "Jokerman", which CBS issued as a single in Feb 1984.

Backwash and legacy [edit]

Dylan spent the fall of 1983 recording demos and various songs at his home in Malibu, California. Rather than piece of work alone, Dylan brought in a number of immature musicians, including Charlie Sexton, drummer Charlie Quintana and guitarist JJ Holiday. Every bit Heylin notes, "this was Dylan's outset real dalliance with tertiary-generation American rock & rollers." These informal sessions set the stage for Dylan's first public performances since 1982.

Dylan appeared on Late Dark with David Letterman on March 22, 1984. He performed with Quintana, Holiday (introduced by Letterman as "Justin Jesting"), and bassist Tony Marsico. Performing iii songs with his band of mail-punk musicians, the Plugz, Dylan delivered what many consider to be his about entertaining tv set operation ever. The combo first performed an unrehearsed version of Sonny Boy Williamson's "Don't Start Me to Talking", then a radically different organisation of "License To Impale". The concluding song was a peppy, somewhat new-wave version of "Jokerman" that ended with a harmonica solo. At the stop of the performance, Letterman walked onstage and congratulated Dylan, asking him if he could come back and play every Thursday. Dylan smiled and jokingly agreed.[32]

In 2020, Daniel Romano's Outfit released an album, Daniel Romano'southward Outfit Do (What Could Have Been) Infidels By Bob Dylan & the Plugz, that covered Infidels in its entirety in the style of Dylan's performance on Letterman with The Plugz.[33]

Track listing [edit]

All songs written by Bob Dylan.

Side ane
No. Title Length
1. "Jokerman" half dozen:12
two. "Sweetheart Like You" 4:31
iii. "Neighborhood Groovy" 4:33
4. "License to Kill" three:31
Total length: 18:47
Side ii
No. Title Length
i. "Man of Peace" 6:27
two. "Wedlock Sundown" 5:21
3. "I and I" 5:10
4. "Don't Fall Apart on Me Tonight" 5:54
Total length: 22:52

Charts [edit]

Certifications and sales [edit]

Personnel [edit]

  • Bob Dylan – guitar, harmonica, keyboards, vocals, production
  • Alan Clark – keyboards
  • Sly Dunbar – drums, percussion
  • Clydie King – vocals on "Union Sundown"
  • Mark Knopfler – guitar, production
  • Robbie Shakespeare – bass guitar
  • Mick Taylor – guitar
  • Benmont Tench – keyboards[l]

References [edit]

  1. ^ a b Holden, Stephen (November 13, 1985). "BOB DYLAN MINGLES EXHILARATION AND MISANTHROPY". The New York Times . Retrieved February 13, 2020.
  2. ^ "Bob Dylan - Marriage Sundown". 45cat.com . Retrieved 6 April 2018.
  3. ^ "Bob Dylan - Sweetheart Like You". 45cat.com . Retrieved 6 Apr 2018.
  4. ^ "Bob Dylan - Jokerman". 45cat.com . Retrieved 6 Apr 2018.
  5. ^ "Bob Dylan - I And I". 45cat.com . Retrieved 6 April 2018.
  6. ^ a b Connelly, Christopher (November 24, 1983). "Infidels Anthology Review". Rolling Rock . Retrieved twenty Nov 2013.
  7. ^ Heylin, Clinton (1991). Bob Dylan: Behind the Shades Revisited, p. 550. HarperCollins (2003 paperback ed.) ISBN 0-06-052569-X.
  8. ^ Heylin (1991), p. 551.
  9. ^ Gates, David (October 6, 1997). "Dylan Revisited". Newsweek. Retrieved 2009-01-10 .
  10. ^ Balassone, Damian (April 4, 2012) "Jokerman"
  11. ^ Balassone, Damian (October 29, 2010) "Dylan, the Devil and Judas", Overland.
  12. ^ a b Riley, Tim (1992). Hard Rain: A Dylan Commentary, pp. 271-72. New York: Da Capo Press (updated edition, 1999). ISBN 0-306-80907-ix.
  13. ^ Examples in the Talmud include rabbis like Aqiba and Simon Bar Yohai getting tortured by the Roman Empire and their students enslaved; see wiki references to their names for the accounts in the Jewish oral history
  14. ^ In most Christian law systems "Jews were barred from all guilds and were only allowed two positions, that of money lending and the selling of used clothing." encounter Edward Flannery's "The Anguish of the Jews" or any other well-researched volume on anti-Semitism
  15. ^ "News". Rolling Stone. Archived from the original on 2007-10-01. Retrieved 2012-02-25 .
  16. ^ David Brinn, "Brilliant when he sings", Jerusalem Post, seven December 2001, 12B.
  17. ^ Zilber'south version made utilize of the original text but is ordinarily taken as referring to Israel's unilateral disengagement plan, the subject of several other songs in the anthology, Anabel.
  18. ^ This was virtually famously articulated by gimmicky Christian music icon Larry Norman, whose songs alleged variously "you say you trounce the Russians to the Moon but I say you starved your children to do it" and "We demand a solution/We need salvation/Allow's send some people to the moon to gather information/And all they brought dorsum was a large bag of rocks/Only cost 13 billion/Must be nice rocks".
  19. ^ Quoted in Trager, Oliver (2004). Keys to the Rain: The Definitive Bob Dylan Encyclopedia, p. 270. New York: Billboard Books. ISBN 0-8230-7974-0.
  20. ^ Quoted in Heylin (1991), p. 555.
  21. ^ link
  22. ^ "Robert Christgau: Album: Bob Dylan: Infidels". www.robertchristgau.com . Retrieved Dec thirteen, 2020.
  23. ^ Larkin, Colin (2007). The Encyclopedia of Popular Music (fourth ed.). Oxford University Press. ISBN978-0195313734.
  24. ^ Flanagan, Bill (1991-03-29). "Dylan Catalog Revisited". EW.com. Retrieved 2012-08-20 .
  25. ^ Graff, Gary; Durchholz, Daniel, eds. (1999). MusicHound Rock: The Essential Anthology Guide (2nd ed.). Farmington Hills, MI: Visible Ink Press. p. 371. ISBNane-57859-061-2.
  26. ^ "Bob Dylan: The Consummate Albums Collection". pastemagazine.com. Nov 5, 2013. Retrieved Dec thirteen, 2020.
  27. ^ Hull, Tom (June 21, 2014). "Rhapsody Streamnotes: June 21, 2014". tomhull.com . Retrieved March 1, 2020.
  28. ^ Quoted in Heylin (1991), p. 557.
  29. ^ "CG: Bob Dylan". Robert Christgau. Retrieved 2012-02-25 .
  30. ^ Books, Used, New, and Out of Impress Books - We Buy and Sell - Powell'southward. "All These Inches Away From Where Greil Marcus Began by Dave". www.powells.com . Retrieved six April 2018.
  31. ^ Wyman, Bill. "Bob Dylan – Bill Wyman". Salon.com. Archived from the original on 2011-01-22. Retrieved 2012-02-25 .
  32. ^ Heylin (1991), pp. 560-61.
  33. ^ "Daniel Romano's Outfit Do Justice to Bob Dylan on 'Infidels' Tribute Anthology | Exclaim!". exclaim.ca . Retrieved 2021-05-thirty .
  34. ^ Kent, David (1993). Australian Nautical chart Book 1970–1992 (illustrated ed.). St Ives, North.S.W.: Australian Chart Volume. ISBN0-646-11917-6.
  35. ^ "Austriancharts.at – Bob Dylan – Infidels" (in German). Hung Medien. Retrieved February three, 2022.
  36. ^ "Top RPM Albums: Consequence 4437a". RPM. Library and Athenaeum Canada. Retrieved February 3, 2022.
  37. ^ "Dutchcharts.nl – Bob Dylan – Infidels" (in Dutch). Hung Medien. Retrieved February three, 2022.
  38. ^ "Offiziellecharts.de – Bob Dylan – Infidels" (in German). GfK Entertainment Charts. Retrieved February 3, 2022.
  39. ^ "Charts.nz – Bob Dylan – Infidels". Hung Medien. Retrieved February iii, 2022.
  40. ^ "Norwegiancharts.com – Bob Dylan – Infidels". Hung Medien. Retrieved February 3, 2022.
  41. ^ "Swedishcharts.com – Bob Dylan – Infidels". Hung Medien. Retrieved Feb three, 2022.
  42. ^ "Swisscharts.com – Bob Dylan – Infidels". Hung Medien. Retrieved Feb 3, 2022.
  43. ^ "Official Albums Chart Top 100". Official Charts Visitor. Retrieved February 3, 2022.
  44. ^ "Bob Dylan Chart History (Billboard 200)". Billboard. Retrieved February iii, 2022.
  45. ^ "Top Selling Albums of 1985 — The Official New Zealand Music Chart". Recorded Music New Zealand. Retrieved Feb 3, 2022.
  46. ^ "Canadian anthology certifications – Bob Dylan – Infidels". Music Canada. Retrieved x June 2019.
  47. ^ "Dylan Down Under" (PDF). Cash Box. March 22, 1986. p. vii. Retrieved Dec 9, 2021 – via World Radio History.
  48. ^ "British album certifications – Bob Dylan – Infidels". British Phonographic Manufacture. Retrieved 10 June 2019. Select albums in the Format field.Select Silver in the Certification field.Type Infidels in the "Search BPI Awards" field and then press Enter.
  49. ^ "American anthology certifications – Bob Dylan – Infidels". Recording Industry Association of America. Retrieved x June 2019.
  50. ^ Album Liner Notes

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Source: https://en.wikipedia.org/wiki/Infidels_(Bob_Dylan_album)

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